Theater Guild production of Sidney Howard's They Knew What They
Wanted. He realized then that acting which really "dug at
him" was what he was looking to find.
In 1931, a fervent group of young actors, including Meisner, Stella
Adler, Lee Strasberg, and Harold Clurman, among others, joined together
to establish the Group Theatre. It was the first permanent theatre
company that brought "Method" acting, rooted in the methods
of Konstantin Stanislavsky, to practice and prominence in America.
Meisner appeared in twelve Group productions, including the first,
The House of Connelly, and all of Clifford Odets' plays, including
Waiting for Lefty, which Meisner co-directed with Odets in
1935.
In 1933 Meisner became disenchanted with pure "Method"
acting. He wrote, "Actors are not guinea pigs to be manipulated,
dissected, let alone in a purely negative way. Our approach was
not organic, that is to say not healthy." Meisner had ongoing
discussions about technique with Adler, who worked with Stanislavsky
in Paris, and Clurman, who took a deep interest in the American
character. Eventually Meisner realized that if American actors were
ever going to achieve the goal of "living truthfully under
imaginary circumstances," an American approach was needed.
The Neighborhood Playhouse provided him with a venue to develop
that approach on his own.
In 1935 he headed the Drama Department at The Playhouse, while
continuing to act and direct plays produced by The Group Theatre
until its demise in 1940. He also appeared on Broadway in Embezzled
(1944) and Crime and Punishment (1948). He directed The
Time of Your Life (1955) and acted in The Cold Wind and the
Warm (1958).
Meisner left The Playhouse in 1958 to become director of the New
Talent Division of Twentieth Century Fox. He moved to Los Angeles,
where he was also able to cultivate his career as a film actor.
He starred in Odets' The Story on Page One (1959), Tender
Is the Night (1962), and later Mikey and Nicky (1976).
He returned to the Neighborhood Playhouse as head of the Drama
Department from 1964-1990. In 1985 Meisner and James Carville co-founded
The Meisner/Carville School of Acting on the Island of Bequia in
the West Indies. They later extended the school to North Hollywood,
California, where it still exists with Martin Barter as Artistic
Director and head teacher. Meisner, Carville, and Barter opened
The Sanford Meisner Center for the Arts in March 1995, and later
the school and theatre were combined to form The Sanford Meisner
Center, today the only school and theatre to operate under Meisner's
name.
Meisner received commendations from Presidents Clinton, Bush and
Reagan. He was honored by California Governor Pete Wilson and was
named the "Humanitarian of the Year 1990" by The Washington
Charity Awards. His final appearance as an actor was in a guest
starring role on a special episode of "ER" that aired
in February 1995. Upon his death on February 2, 1997, Backstage
West dedicated an issue to Meisner and his world-renowned "Meisner
Technique."
Arthur Miller once said of Meisner, "He has been the most
principled teacher of acting in this country for decades now, and
every time I am reading actors I can pretty well tell which ones
have studied with Meisner. It is because they are honest and simple
and don't lay on complications that aren't necessary."
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