Our Legacy...

Martin Barter

Our Legacy...

 “If you think acting in front of him was hard, teaching in front of him was scary!”

Martin & Sandy
Martin as Sandy’s student

A native of Seattle Washington, Martin Barter began acting in high school. An unusual pursuit for the tall, fighting-Irish spirited single child of John and Pat Barter, neither of whom were actors themselves. After a performance in a school play, his English literary teacher told him “…I just want to say one thing to you. That was brilliant; you need to do this with your life. This is what you are.” She was the first of many teachers to deeply influence and change Barter’s life.

After graduating High school, Martin became involved in Seattle’s rich theater community where he worked in over 30 plays. One of the many actors he worked with, Ken Michaels, introduced Martin to his next great teacher, Earl Kelly. Mr. Kelly, part of the American Council of Learned Societies in New York City and the John Hay Whitney Foundation, carefully selected individual students to work in an international humanities program. This exclusive program took Martin across the country to New York, Washington D.C., Chicago, San Francisco as well as Canada, studying art, literature and history. At the completion of this 4 year program, Martin along, with Gale Hansen and a few fellow students, decided to return to New York to pursue their careers in acting.

Martin's wedding
Martin’s wedding with Sandy as Best Man

Once in New York, Martin and Gale sought out the masters to work with. Martin went to Herbert Berghof first. Working as a student, and then becoming one of “Herbert’s boys”, Martin did a number of plays under Herbert Berghof. He also had the opportunity to study with Herbert’s wife, Uta Hagen. From there, he went to the Actors Studio, where he missed working with Lee Strasberg who had just passed away. He then worked under Bobby Lewis and Stella Adler.

But it was once he found the Neighborhood Playhouse and Sanford Meisner that Martin met his greatest and most influential teacher. “When I got to Sandy, I knew I was home.” says Barter. He first studied as an actor, in the Summer Intensive held in Bequia, and then continued to study the full 2 year program under Sanford Meisner. Martin went on to assist and then teacher train directly under Sandy. After which, he was hired to teach the Meisner Technique at the Neighborhood Playhouse for 3 years. “If you think acting in front of him was hard, teaching in front of him was scary!” says Barter.

Even after studying and working under the Master himself, Martin took every opportunity to study and work with other greats, including Geraldine Page, William Hickey, and even Marlon Brando.

Then in 1995, Martin, Sanford Meisner, James Carville and Jill Gatsby opened the Sanford Meisner Center in North Hollywood California with Meisner as Head Teacher, and Barter as Artistic Director. As artistic director, Martin Barter directed six mainstage shows to critical acclaim, and proved instrumental in transforming the center into a respected incubator for actors and writers to collaborate and create new works.  Special care was taken to maintain the purity of Meisner’s work, while increasing public visibility of The Meisner Technique. “We call it a center,” Barter said of The Meisner Center, “not a theater, because the theater is only one part of the vision. Hopefully, it’s like a think-tank, a Meisner think-tank, where we can take Sandy’s work, the teaching part of it and the professional part of it into the next century.  We try to honor his work, keep it pure, and yet also get it more public.”

Sandy Martin and Students
North Hollywood Intensive Class

Assuring the integrity of Meisner’s work is paramount, because, to Barter:
“One of the advantages at the center, he said, is that all of the actors have been trained in the same way.  That makes us unique,” he said, “in that everybody has exactly the same working vocabulary.”

Upon Sandy’s passing in 1997, Martin continued to maintain his legacy for the next 16 years in North Hollywood, California. During that time, he also took the technique to London and around the country as one of the final  and preeminent representatives of the Meisner Technique.

Originally located on Lankershim Blvd in North Hollywood, California, The Sanford Meisner Center was the only school in Los Angeles created by Sanford Meisner himself. In February 2013, the theater was let go when Martin decided to return, full circle, to his hometown of Seattle Washington.

Martin Barter continues to teach Sandy’s unadulterated Technique to today’s actors, both in Seattle and Los Angeles.

Martin & Jimmy Carville
Martin with Sandy’s Partner, James Carville

Also a graduate of UCLA’s two-year professional screenwriting program, Barter has written five original screenplays and had his original play, I’m Still Crying, directed by award-winning writer/ director, Larry Cohen. Martin Barter works as an on-set acting coach, and has worked with top-level talent on a number of feature films, including Selena and Frank McKlusky, C.I

Mr. Barter is currently available for Lectures, Seminars and Workshops.

Click for Student Testimonials

DeShaude Barner
"The 2 years spent learning from Martin and Ranjiv are something I will never forget... "
Christina Ramirez
"...there is nothing like seeing yourself grow into the person you always were meant to be..."
Johannes Aspegren
"The Meisner technique allowed me to really see my progress."
Juliene Winborne
" I had taken numerous acting classes, but none of them fully embodied what I was looking for."
Zachary Gordon
"...it has been an emotionally exhausting journey, but beyond rewarding."
KoJo Asiedu Head Shot
Yisreal Dubov
"...not only did I walk away with an incredible training in acting; I walked away with a family, and memories that will last a lifetime"
Damith Warnasuriya
"...this is not a class that you sign up for but more like a life course that challenges you..."
Jule Johnson
"I walk away proud, thankful, and immensely confident with the person I’ve become"
Jada Merritt
"...know what it is that you need and fucking go get it!!!
Nicole J Butler
Alessandro Marino
"This class cuts the bull*** and tells you the truth..."
Mikhail Suvorov
"The Meisner technique, unlike anything I've done before, is something you can't pull through just sliding on the surface."
Bryan Shilowich
"You learn to stop “trying” to “act” and instead learn how to feel your deepest emotions..."
Tanner Risner
"You have no idea what this class can do for you."
Sierra Smith
"..I learned that ACTING IS NOT ABOUT ACTING."
Jonathan Freudman
"This is not a Mickey Mouse class, this is serious acting, this is MEISNER.”
Cameren Foley
"This class is definitely not the easy route..."
Brandon Quinn
"I have worked so much more since studying at the Meisner Center..."
Nina Umpierrez
"Completing this program has left me feeling ready and excited to go out and get what I need!"
Heidi Shon
"The Meisner Center gave me a process to work with that I was desperately seeking."
Nerlyn Jean
"A true challenge and commitment, it was the best decision I made for my career thus far."
Matthan Harris
"This is without a doubt the best acting class I’ve ever taken."
Star Don
"Look another person dead in the eye and just FEEL. It’s the simplest yet hardest thing to do."
Alex Montalban
Alex Montalban
"However seemingly simplistic Sandy's method may appear, this school is not for the faint of heart..."
Michael Roshangah
"I found that I am stronger than I gave myself credit for."
Albert Emery
"I am a better communicator as a result of speaking from my heart."
Alexandra Dunmore
"I am astounded that I thought I knew how to act before this class."
Jacob Dimenstein
"...my advice to you would be to be open to the possibilities."
Shalonda Shaw
"...I know what I'm capable of as an actor, and that is a wonderful feeling."
DeRon Horton
..."the emotional capacity of which i am able to reach now I cannot see myself gaining somewhere else"
Vanessa Parker
Vanessa Parker
"...this class shows you that you can go straight to the heart and the emotion"
Torrey Drake
"...my ability to utterly connect and live in the moment is second nature to me."
Tanya Bettencourt
"I used to think showing vulnerability was a weakness. Not anymore."
Amir Hasan
"It did not take long for me to realize that my brain was the biggest obstacle holding me back..."
Danielle Vega
"I felt I needed a class of Meisner caliber to have in my repertoire to take me to the next level of my career."
Menen Basha
"I’m not quite sure where to begin because so much of this experience is too big to summarize..."
Stacey Danger
"The amount of growth I’ve had in nine months far surpasses that of all other studios I’ve trained at combined."
Channing McKindra
"This is the work that I imagined doing when I first decided to become an actor years ago..."
Jasmine Hill
"Before, I didn't like to say I was an actor because I didn't feel like one. Now I know I'm one."
Andrew Carter
"It was by far the most challenging educational and artistic experience of my life."